Johnson, who now suffers from cancer, says that his only regret in life was his falling out with Lee Brilleaux, an event that was sadly never reconciled before the singer’s death in 1994. but this, this is the exception to the rule, where teamed up with Roger Daltrey, we’re treated to a bit more complex, and polished versions of Wilko Johnson’s aspirations. Feelgood has always been a live band, they’ve no use for vinyl, and certainly not for CD’s.
The songs found on Going Home are all drawn from Wilko Johnson’s era with the band, with the exception of Bob Dylan’s “Can You Please Crawl Out Your Window.” With Daltrey, who never used his voice as an instrument of song, but as a sonic object to assault the listener like a thunderstorm crashing waves over the levee, and here, leaves even less room for the listener to breathe. So, while The Who may have found the distance to the stage too far at times, it was trying to keep up with the boys in Dr. The documentary captures the essence of a band who not only coined the phrase “Hard Partying,” but lived it seven days a week, on and off the stage. Feelgood, featuring blistering performances, interviews with all those still living, and outtakes for those who’ve past, all the while romancing fans with images of those sensational clubs who had the where with all to even consider the notion of dimly lighting a stage, and allowing Dr. Temple at the helm, the viewer is coursed through all that was and more, regarding Dr. If you haven’t seen “Oil City Confidential,” you must, because with the documentary’s release, Julien Temple began a revival of sorts for not on Wilko Johnson, but for the legendary band Dr.
Not the usual way of beginning a review, however, stick with me an I’ll get you there and more.
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